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Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.
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I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
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It's funny because if you ever ask anyone in England to try and do a Beatles accent, no one knows what they really sound like. If you ask anyone in America, they would try and give it a go. English people just know their songs.
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Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
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That's where the songs come from: that's what I'd most want people to understand. What sounds good or looks good, that's nothing. The only worthwhile thing in art is seeing someone else's heart.
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When you can turn people on their head and shake them and no money falls out, then you know God's saying, "Move on, son."
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I don't like it when people don't look me dead in the eye. I move my head around trying to catch their eye.
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It was always part of the plan to move into acting.
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If the English language had been properly organized ... then there would be a word which meant both 'he' and 'she', and I could write, 'If John or Mary comes heesh will want to play tennis', which would save a lot of trouble.
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He [Hemingway] used a stand-up work place he had fashioned out of the top of of a bookcase near his bed. His portable typewriter was snugged in there and papers were spread along the top of the bookcase on either side of it. He used a reading board for longhand writing.
