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The truth and the facts aren't necessarily the same thing. Telling the truth is the object of all art; facts are what the unimaginative have instead of ideas.
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The obedient in art are always the forgotten . . . The country is glorious but its beauties are unknown, and but waiting for a real live artist to splash them onto canvas . . . Chop your own path. Get off the car track.
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We look at the world and see what we have learned to believe is there. We have been conditioned to expect... but, as photographers, we must learn to relax our beliefs.
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I cannot understand how any man or woman can believe in the Lord's coming and not be a missionary, or at least committed to the work of missions with every power of his being.
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Men have presented their plans and philosophies for the remedying of earth's ills, but Jesus stands alone in presenting not a system, but His own personality as capable of supplying the needs of the soul.
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Life, to be sure, is nothing much to lose, But young men think it is, and we were young.
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A good character today is shaped by greatness, greatness in vision, greatness in courage, greatness in insight, greatness in purpose and devotion.
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I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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Re-vision -- the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction - is for women more than a chapter in cultural history: it is an act of survival.
