Andy Karl quotes

  • I love theater: I can do shows that are completely different from one another. Altar Boyz had heavy dance moves, but also a comic edge to it. And now I'm utilizing all my physical skills: jumping on walls, doing pratfalls and bits and huge takes. My whole show is basically lining up one bit after the next.
    -- Andy Karl

    #Wall #Moving #Different

  • I'm living up to my own self-critical standard of doing theater in a lead position, the way I feel like I should be doing it. People are liking it, and it's all working. Just that, in any actor's life, is profound. That's what I was enjoying with the process.
    -- Andy Karl

    #People #Profound #Enjoy

  • Any actor who's onstage... at least this is what I do... I'm always using 120% on whatever the heck I'm doing. I have to make an impression with all the bursts of things I do in this show... taking the picture, shutting the door, opening the door... as long as I'm making people laugh at those moments, I feel like I'm accomplishing something.
    -- Andy Karl

    #Long #People #Laughing

  • Wild Eyes was built for speed and I was flying down walls of water twenty and thirty feet high.

  • If you are looking for a kindly, well-to-do older gentleman who is no longer interested in sex, take out an ad in The Wall Street Journal.

  • There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.

  • Money doesn't have anything have anything to do with the magnificence of a person. It doesn't. What matters is what you make. Whether it's a cake for bingo night or a costume for a saint or a wall of water-whatever you pour into this life is what makes you rich.

  • When you can turn people on their head and shake them and no money falls out, then you know God's saying, "Move on, son."

  • Prayer is the mighty engine that is to move the missionary work.

  • My co-founder Dylan Smith and I left our junior year of college to move to the Bay Area. To the horror of our friends' parents, we actually had two other friends drop out of college to work on the product. The four of us were just working non-stop growing Box.

  • It didn't mean forever but for right now I wanted Rush to be my first. He wouldn't be my last. A stop I might never forget or get over. That was what scared me the most. Not being able to move on.

  • The hand is no different from what it creates.

  • I've been recognized very seldom. I think I just look different in person than I do as the character.