Ocupation: Art Historian
Life: b. December 26, 1960
Birthday: December 26
Ann Winder-Boyle's small-scale encaustic pictures always reward a second look - they have an intriguing edge of darkness about them.
Topics: Darkness, Looks, Rewards
The edge of a painting is its frontier... where the artist negotiates his boundaries with the real world... where art begins and ends and where the eye enters and leaves the image. It determines, in an infinitely subtle number of ways, how you read a painting - which, unlike a book or a piece of music, has no pre-determined beginning or end.
Topics: Art, Real, Book, Real World
Many of Bonnard's later paintings are shot through with a powerful sense of morbidity. The self-portraits he painted after catching sight of himself in the various mirrors in the house - the mirror in the bathroom or the mirror in his bedroom, still lit from above by a single accusatory light bulb - are almost appallingly raw.
Topics: Powerful, Mirrors, Light, Morbidity, Bulbs
The edge in modern painting is charged with neurosis; it meets a world that no longer confirms it but which is hostile or at best indifferent.
Topics: World, Neurosis, Painting
At its edges, a painting makes its surrender to reality. The ways in which it can do so are endlessly revealing, as infinite as the potential forms of painting itself.
Topics: Reality, Way, Painting
