Gail Carson Levine Quotes and Sayings - Page 1
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“There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.”
-- Gail Carson Levine -
“Climb the day, Drop your dreams, Possess the day.”
-- Gail Carson Levine -
“Who judges the judge who judges wrong?”
-- Gail Carson Levine -
“I want to be with you forever and beyond...”
-- Gail Carson Levine -
“There's nothing wrong with reading a book you love over and over.”
-- Gail Carson Levine -
“When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you”
-- Gail Carson Levine -
“And so, with laughter and love, we lived happily ever after.”
-- Gail Carson Levine -
“I wished she’d never stop squeezing me. I wished I could spend the rest of my life as a child, being slightly crushed by someone who loved me.”
-- Gail Carson Levine -
“Things change, people change, but that doesn't mean you should forget the past.”
-- Gail Carson Levine -
“But my last conscious thought was an image of Prince Char when he'd caught the bridle of Sir Stephan's horse. His face had been close to mine. Two curls had spilled onto his forehead. A few freckles dusted his nose, and his eyes said he was sorry for me to go.”
-- Gail Carson Levine -
“He loved me. He'd loved me as long as he he'd known me! I hadn't loved him as long perhaps, but now I loved him equally well, or better. I loved his laugh, his handwriting, his steady gaze, his honorableness, his freckles, his appreciation of my jokes, his hands, his determination that I should know the worst of him. And, most of all, shameful though it might be, I loved his love for me.”
-- Gail Carson Levine -
“Voices and faces aren't manifestations of good or bad.”
-- Gail Carson Levine -
“But what I really long to know you do not tell either: what you feel, although I've given you hints by the score of my regard. You like me. You wouldn't waste time or paper on a being you didn't like. But I think I've loved you since we met at your mother's funeral. I want to be with you forever and beyond, but you write that you are too young to marry or too old or too short or too hungry---until I crumple your letters up in despair, only to smooth them out again for a twelfth reading, hunting for hidden meanings.”
-- Gail Carson Levine -
“Oak, granite, Lilies by the road, Remember me? I remember you. Clouds brushing Clover hills, Remember me? Sister, child, Grown tall, Remember me? I remember you.”
-- Gail Carson Levine -
“I trust you to find the good in me, but the bad I must be sure you don't overlook.”
-- Gail Carson Levine -
“He bowed. 'The young lady must not dance alone.”
-- Gail Carson Levine -
“Perhaps we can come here together someday. By the way, you're a month older than the last time I saw you. Are you still too young to marry.”
-- Gail Carson Levine -
“No one is here," Char said. "You need resist temptation no longer." "Only if you slide too." "I'll go first so I can catch you at the bottom." He flew down so incautiously that I suspected him of years of practice in his own castle. It was my turn. The ride was a dream, longer and steeper than the rail at home. The hall rose to meet me, and Char was there. He caught me and spun me around.”
-- Gail Carson Levine -
“To pretend I was sliding down the stair rail." He laughed again. " You should have done it. I would have caught you at the bottom.”
-- Gail Carson Levine -
“I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes...”
-- Gail Carson Levine -
“I know all about you," Char announced after we'd taken a few more steps. "You do? How could you?" "Your cook and our cook meet at the market. She talks about you." He looked sideways at me. "Do you know much about me?”
-- Gail Carson Levine -
“Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.”
-- Gail Carson Levine -
“You see, writing down your meanderings gets something started deep in the recesses of your brain. That distant part of your mind knows that you want to write stories or poems or plays and not endless jabber, and it will get to work. It may take a while. You may have to write this stuff for hours or days or weeks, but eventually that subterranean part of your brain will come through and begin to send you ideas.”
-- Gail Carson Levine -
“I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.”
-- Gail Carson Levine -
“I don't wait for inspiration. Writing is my job.”
-- Gail Carson Levine -
“I loved fairy tales as a kid. I've always been drawn to fantasy. They're always exciting. There's never a dull moment. I just love the embellishments and the magical stuff. It's such fun to work with and to re-imagine your own way.”
-- Gail Carson Levine -
“I think kids abandon stories all the time. They start stories and get frustrated or get a different, better idea. I think that it is more worthwhile to stick with a story and revise it and try to finish it than abandon ship. Revisions, for any writer, are the name of the game.”
-- Gail Carson Levine -
“No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.”
-- Gail Carson Levine
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