Frederick Wiseman quotes
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“You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.”
-- Frederick WisemanSource : "Toronto International Film Festival 2002: An interview with Frederick Wiseman, director of The Last Letter". Interview with David Walsh, www.wsws.org. October 2, 2002.
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“I think I have an obligation, to the people who have consented to be in the film, to make a film that is fair to their experience. The editing of my films is a long and selective process. I do feel that when I cut a sequence, I have an obligation to the people who are in it, to cut it so that it fairly represents what I felt was going on at the time, in the original event. I don't try and cut it to meet the standards of a producer or a network or a television show.”
-- Frederick Wiseman -
“I don't like to read novels where the novelist tells me what to think about the situation and the characters. I prefer to discover for myself.”
-- Frederick Wiseman -
“Anybody whose mind is functioning at all can't be content with the way the world works.”
-- Frederick WisemanSource : "Toronto International Film Festival 2002: An interview with Frederick Wiseman, director of The Last Letter". Interview with David Walsh, www.wsws.org. October 2, 2002.
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“My goal is to make as many films as possible about different aspects of American life.”
-- Frederick Wiseman -
“Everything about a movie is manipulation.”
-- Frederick Wiseman -
“I'm interested in ordinary experience, and regardless of the precise definition of ordinary, and I've found that in so-called ordinary experience, there is as much comedy, tragedy, sadness, as there is in great drama. And I don't invent it, I recognize it.”
-- Frederick WisemanSource : "Frederick Wiseman on his new film and his dream of shooting in the White House". Interview with Sam Fragoso, www.avclub.com. November 3, 2015.
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“Documentary filmmaking ruins you for real life, because you learn to be extremely attentive.”
-- Frederick WisemanSource : "Frederick Wiseman on his new film and his dream of shooting in the White House". Interview with Sam Fragoso, www.avclub.com. November 3, 2015.
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“Of course there's conscious manipulation! Everything about a movie is manipulation ... If you like it, it's an interpretation. If you don't like it, it's a lie - but everything about these movies is a distortion."”
-- Frederick Wiseman -
“I do not think that my films or films by any other filmmaker represent "THE TRUTH." I do not feel the need to categorize my films or anyone else's.”
-- Frederick WisemanSource : Source: www.hollywoodchicago.com
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“Making movies is an effort is an attempt to leave a trace of your existence.”
-- Frederick WisemanSource : "Frederick Wiseman on his new film and his dream of shooting in the White House". Interview with Sam Fragoso, www.avclub.com. November 3, 2015.
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“It is always a problem to know what an image means.”
-- Frederick Wiseman -
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“My job as a film editor is to construct a dramatic narrative because otherwise it's just a chaotic arrangement of sequences.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“In moviemaking, you learn to pay attention to detail, because so much is in the detail. And when you're shooting, you try to be very alert to what's going on, even if you're tired.”
-- Frederick WisemanSource : Source: www.avclub.com
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“I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.”
-- Frederick WisemanSource : Source: www.avclub.com
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“This whole business of documentary being a second-class citizen is bullshit. A documentary can be as interesting, as dramatic, as sad, as funny, blah, blah, blah, as a fiction movie. Or it can be as awful as a fiction movie!”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“There's a literal track: who says what to whom, what are people wearing, etcetera. And there's the abstract track: what ideas are suggested by the literal. And the real movie takes place in the relationship between the literal and the abstract.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“I'm drawn to making movies about contemporary life. The reason I choose institutions is because they provide a limit, a boundary.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“I'm very careful of not being critical of other people's movies, which work in different styles. I think some of my movies can be interpreted as critical of their subjects.”
-- Frederick WisemanSource : "Frederick Wiseman on his new film and his dream of shooting in the White House". Interview with Sam Fragoso, www.avclub.com. November 3, 2015.
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“A lot of the issues of rhythm in film are found in the editing because it's very rare that any sequence is the sequence that is shot.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“It's rare in a documentary film that you have a repetitive act. So when you do, you can shoot it in different ways so that you have more choices when you're sitting down to edit that sequence six months later.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“Even if I know I'm going to go to a church, I don't know what the minister's going to say.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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“There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.”
-- Frederick WisemanSource : Source: www.interviewmagazine.com
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