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I'm the interpreter. I'm the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that's what I want to do.
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During 'Saturday Night Fever' at the end of the first act dance number I tried to perform a split-jump, only I can't do them so I ended up on my ***** followed by the most unsightly backward roll out of it, followed by the cast falling over in laughter and a good portion of the audience too.
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When you dance and move around it creates a different reaction from the audience - they love it.
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There are female artists I can look at that I find more in common with than the male artists, because they're blending the pop, dance and theatricality... but currently there aren't a lot of guys who go there.
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When I dance I am really meditating rather then performing for an audience. I am completely absorbed by the music and the steps I choose to respond to the music.
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Many other women have kicked higher, balanced longer, or turned faster. These are poor substitutes for passion.
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The practice mirror is to be used for the correction of faults, not for a love affair, and the figure you watch should not become your dearest friend.
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Ballet technique never becomes easy, it becomes possible
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To make up a dance, I still need, as I needed then, a pot of tea, walking space, privacy and an idea.
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Dancing is such a despised and dishonored trade that if you tell a doctor or a laywer you do choreography he'll look at you as if you were a hummingbird. Dancers don't get invited to visit people. It is assumed a boy dancer will run off with the spoons and a girl with the head of the house.
