Victoria Redel quotes

Art Objects is important not only as a plea to the public to read serious literature and to read it seriously, but it is a terrific book of instruction about writing.
-- Victoria Redel

#Art #Book #Writing

Oh, for that remarkable and complex economy of motherhood. Those back and forth generosities-where one day a mom ferries the kids to the swim meet, or a mom takes your kid off to the movies while you're sick with the flu. And the next week after baseball you have all the kids sleep over. Not to mention the friend with whom you freely have the throw-your-hands-in-the-air-I-surrender discussions of how to manage any of it.
-- Victoria Redel

#Mom #Baseball #Sleep

I'm pretty afraid of death. People have told me that they're not afraid, but I certainly am. The things of the world matter to me. It's hard to imagine letting go.
-- Victoria Redel

#Letting Go #People #World

I believe we all have lists of shame. Long lists. We live with our constellation of shames quite privately. But they weigh us down. I wish I could abracadabra away shame. This is such a waste of our small time on earth. Our bodies are often the focus of shame. The shame of the body changing. Of the sexual body. Of the aging body. Not being able to do what you once could do. Even just looking at your skin as you age, the texture, the wrinkle, the sag, and somehow feeling ashamed and responsible for its changes.
-- Victoria Redel

#Believe #Long #Focus

Once a big loss has happened it is part of the picture forever. Not something you "get over." While each loss has felt specific, one thing I miss with each loss is entirely selfish, I miss the way a particular person saw me, understood me. But part of the challenge of being alive is to remain curious in any circumstance and this has helped me with grief. I want to feel all the contours and contradictions of living.
-- Victoria Redel

#Selfish #Grief #Loss

My mother had a life-altering stroke when I was nineteen and she died when I was twenty-three. I'm now older than my mother when she died and my relationship with her has really changed over these many years. I continue to stay interested in her and I know her differently now. Losing my mother, losing dear friends, is now part of the fabric of my being alive. And the fabric keeps changing, which is interesting.
-- Victoria Redel

#Mother #Interesting #Losing

I love secrets. Here's a bunch of people who think they know each other over a long period of time. And they do. And they don't. Secrets aren't the same thing as shame, but they can fall in that category. I'm very interested in the ways that people are open and honest with one another and simultaneously in hiding. What we know about those we love is only part of the story. Who do we protect with our secrets? Others? Ourselves? These are questions that interest me in fiction. The public and the private self.
-- Victoria Redel

#Fall #Love Is #Thinking

Poems very seldom consist of poetry and nothing else; and pleasure can be derived also from their other ingredients. I am convinced that most readers, when they think they are admiring poetry, are deceived by inability to analyse their sensations, and that they are really admiring, not the poetry of the passage before them, but something else in it, which they like better than poetry.

Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.

Art does not exist for politics, or for instruction- it exists primarily for pleasure, or it is nothing.

To Lawren Harris art was almost a mission. He believed that a country which ignored the arts left no record of itself worth preserving.

I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.

The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists.

Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative. But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital 'A', photography was inevitably to assume a new stature both in the eyes of artists and the public, too.

Books are the basis; purity is the force; preaching is the essence; utility is the principle.

The selection of a book-plate is such a serious matter.

My spelling is Wobbly. It's good spelling but it Wobbles, and the letters get in the wrong places.