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A piercing satire, a poignant family drama and an investigation of the competing claims of honesty, loyalty, ambition and love.
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I grew up in the theatre. It's where I got my start. Writing a television drama with theatrical dialogue about the theatre is beyond perfection.
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Prom has all the elements of a popular story. It reeks of all-Americanness, tension, drama. It has romance. Pretty dresses. Dancing. Limos. High school. Coming of age.
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I was never part of that cliquey girl drama. Most of my friends were guys growing up, so I was never part of that whole toxic energy. It seemed like way too much hassle.
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As long as I have my legs and commitment to the team, then I'll keep playing.
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Like most parents, I've been stumped by homework, the big questions, such as: 'What is the point of geography - the pilot always knows where we are going?'. Answer: 'If you didn't know any geography, people would think you were an American, and you wouldn't be able to put them right because you wouldn't know where they live.'
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Americans think the only funny Brits are John Cleese, Benny Hill and whoever makes our toothpaste. They're not laughing with us, they are laughing at us.
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Promise me you'll always remember: You're braver than you believe, and stronger than you seem, and smarter than you think.
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A quotation is a handy thing to have about, saving one the trouble of thinking for oneself, always a laborious business.
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Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin. It is, as far as he knows, the only way of coming downstairs, but sometimes he feels that there really is another way, if only he could stop bumping for a moment and think of it. And then he feels that perhaps there isn't.
