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“I feel like after acting, the other half of why I love this business is the opportunity to work with and meet people who inspire you. That it pays my rent is a good bonus.”
Source : Interview with Jason Zingale, www.bullz-eye.com. March 26, 2008. 
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“Those who write are writers. Those who wait are waiters.”
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“Jerusalem is a time bomb that I fear is just waiting to go off.”
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“We're all waiting for the opportunity to do big films but you have to wait your turn - unless you get offered something like Twilight when you're 20! Otherwise, you just have to keep slogging away.”
Source : Source: www.indielondon.co.uk
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“Beautifully shot, impeccably paced, it was a clear, unrelenting look at the National Trust, its friends and enemies, and it makes you want to burn your passport and beg the Luftwaffe to have another go.”
Source : "AA Gill obituary" by Stuart Jeffries, www.theguardian.com. December 10, 2016.
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“One bright and thankful look at the cross is worth a thousand morbid, self-condemning reflections.”
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“Quiet descended, a silence so consuming that even the drafty corridors ceased whistling. Bog wasn't certain where to look, so he solved the problem by plucking out his eyes and sticking them in a drawer.”
Source : A. Lee Martinez (2006). “Gil's All Fright Diner”, p.277, Macmillan
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“A high-brow is someone who looks at a sausage and thinks of Picasso.”
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“Look for the enemies of Medicare, of higher minimum wages, of Social Security, of federal aid to education and there you will find the enemy of the Negro, the coalition of Dixiecrats and reactionary Republicans that seek to dominate the Congress.”
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“The inspired moment may sometimes be described as a kind of hallucinatory state of mind: one half of the personality emotes and dictates while the other half listens and notates. The half that listens has better look the other way, had better simulate a half attention only, for the half that dictates is easily disgruntled and avenges itself for too close inspection by fading entirely away.”
Source : Aaron Copland (1980). “Music and Imagination”, p.43, Harvard University Press
