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You always take a little bit back with you at the end of the day. I always put a little bit of myself into the characters, too. You find parallels, points of connection, things like that. But I'm not an actor who gets so incredibly haunted by my characters that I can't come back.
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I think at the end of the day this movie is respecting what we as women go through as we grow up. The experiences, what we deal with, other women, things about images, things that we deal with as women. This movie addresses that in a very appropriate and sincere way.
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Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.
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You can look at everything from pre-Heisman to post-Heisman, and I think that's why it ranks up at the top, because before then, I didn't even think I was good enough to be a professional ballplayer.
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I've had quite a few moments I've liked, so it's good enough.
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If any person has a good word for the previous government that is good enough for me to have him shot.
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It is not enough to wear an ornamental cross as a pretty decoration.
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The world isn't going backward, if you can just stay young enough to remember what it was really like when you were really young.
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Moments are history. If you have enough of them, they become a story.
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Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we're not alone in the universe, even in sleep.
