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Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.
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In writing, as in medicine, there are no short cuts. You need stamina.
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Was there any form of filth or crime without at least one Jew involved in it? If you cut into such a sore, you find, like a maggot in a rotting body, often dazzled by the sudden light, a Jew.
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You just Sanisa in the death overs. He is simply the best in the world.
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My darlings, if I can't write dark, epic music, I can't live!
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There were epochs in the history of humanity in which the writer was a sacred person. He wrote the sacred books, universal books, the codes, the epic, the oracles. Sentences inscribed on the walls of the crypts; examples in the portals of the temples. But in those times the writer was not an individual alone; he was the people.
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I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.
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The business models in enterprise have changed pretty dramatically. A huge problem with enterprise software traditionally has been usually you sell to the customer and then they adopt the technology. The great thing about 'freemium' and the new way enterprise software is being sold is you get to try it first and then buy it.
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Well why not a technology of joy, of happiness?
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I don't understand technology, and I'm very scared of it.
