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As photographers, we must learn to relax our beliefs. Move on objects with your eye straight on, to the left, around on the right. Watch them grow large as they approach, group and regroup as you shift your position. Relationships gradually emerge and sometimes assert themselves with finality. And that's your picture.
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I held his gaze. I could see the storm in his eyes. I knew he was confused. I could see the fear. Then there was the love. I saw it. The fierceness in his eyes. I believed it. I could see it clearly. But it was too late now. The love wasn't enough. Everyone always said that love was enough. It wasn't. Not when your soul was shattered.
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He seems like a man who knows what he wants, and the problem is he wants what I want. If it were anything or anyone else, I could stand back and let him take it." His blue eyes gazed back at me. "But I can't let him have you.
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The world reacts very strangely to people they see on TV, and I can begin to understand how anchor monsters are made. If you're not careful, you can become used to being treated as though you're special and begin to expect it. For a reporter, that's the kiss of death.
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Practical life teaches us that people may differ and that both may be wrong: it also teaches us that people may differ and both be right. Anchor yourself fast in the latter faith, or the former will sweep your heart away.
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Both faith and fear may sail into your harbor, but only allow faith to drop anchor.
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Knowing love or the hope of knowing love is the anchor that keeps us from falling into that sea of despair.
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Being at sea is like watching the whole world in high-definition.
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The things that happen on the sea take you beyond yourself, beyond human capability.
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When the sea goes down, there will come from the mainland boats and men. And they will find ten dead bodies and an unsolved problem on Indian Island.
