Finnegans Wake quotes

As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.

Since the boundary of the world of poetry is fluid, the language in it is also fluid. Hence, the language that is outside of the poetry world, namely the language that is not the language of poetry, cannot go into the poetry world.

Whatever character you play, remember they are always doing something they are not just talking.

I think where you play is important.

Bryce," she whispers. "What's wrong." I can barely breathe as I ask her, "Do you like him?" "Do I... you mean Jon?" "Yes!" "Well, sure. He's nice and -" "No, do you like him?" My heart was pounding through my chest as I took her other hand and waited. "Well, no. I mean, not like that...." No! She said no! I didn't care where I was, I didn't care who saw. I wanted, just had to kiss her. I leaned in, closed my eyes, and then...

In fact, now for whatever reason, if we're recording in the same room, I get a little distracted because I'm watching the actor instead of listening to the actor. The way we do it now, they're on the phone, and we're sitting here with scripts in front of us taking notes seriously and marking takes and doing some adlibs. I can really focus on the words and not the surroundings.

Many of my sharpest critics have decided to take a position of ignoring me - because they feel that by attacking me, they would draw attention to my book and give me more publicity and help me sell more books. So I think that they decided that the best thing for them to do is to say nothing. Also, I think that some of my critics simply can't refute my argument - and so it's easier for them to ignore it as well, so that they're not forced to confront the logical contradiction in their own position.

Huge events take place on this earth every day. Earthquakes, hurricanes, even glaciers move. So why couldn't he just look at me?

The perpetual charm of Arabia is that the traveler finds his level there simply as a human being; the people's directness, deadly to the sentimental or pedantic, likes the less complicated virtues ...

The sin underneath all our sins is to trust the lie of the serpent that we cannot trust the love and grace of Christ and must take matters into our own hands